Clara Sheller is a French television series created by Nicolas Mercier after the idea of Stéphanie Tchou-Cotta that was aired from 18 May 2005 to 3 December 2008 on France 2. The casting was completely changed between the first and second season, but the characters remained the same. The theme song was written by Mirwais and was called "Naive Song".In the US, Clara Sheller aired on Eurochannel in 2009. and on TV5Monde.

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One day in 1986, François Mitterrand forgets his black felt (his initials) in a Lyons restaurant. Daniel Mercier, a young executive who has just been reprimanded by his superior, who judges that the computerization of its business plan is stupid, steals it to clear his head. It was then that his life is turned upside down.

A peaceful provincial notable saves the life of a man who has just had a car accident. He has no idea that his life is going to be completely turned upside down…. Because Jean-Bernard Hollier is what we can call a “ball”. A ball with a big heart but above all a ball… And by wanting to thank his savior at all costs, he is just going to make his life hell! Not happy mafiosi, burglaries and troubles of all kinds will rain down on the two men and their family... All they have to do is work together to get out of this mess... But that is not a foregone conclusion. …

Roman has two problems: First problem: he is twice the age of Lulu. Second problem: it is not at all a problem for Lulu.

In 1981, an unusual person arrives in Natashquan, marking the beginning of an unlikely love story between this small Quebec village and the young man they call “The Punk”. Five years later, he vanishes without a trace, forever impacting the community. 　　Filmed 40 years after his disappearance, The Punk of Natashquan is a cinematic investigation that ventures into the mythology of “The Punk”. Drawing on the styles of direct cinema and true crime, blended with archive, this short film blurs the boundaries between reality and legend, creating a portrait of the spirit of The Punk— captivating, complex, and as genre-defying as the man himself.

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